James L. Acord, sculptor
Dublin Core
Title
James L. Acord, sculptor
Subject
Nuclear Science and Fine Art
Description
The James L. Acord archival collection documents the life, work, and legacy of the only private individual ever licensed to own and handle radioactive materials for artistic purposes. Acord’s career is marked by his pioneering efforts to merge nuclear science and contemporary sculpture, and his archive captures the depth and complexity of this unique artistic journey.
Source
Hanford History Project at Washington State University Tri-Cities
Publisher
Hanford History Project at Washington State University Tri-Cities
Rights
Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items.
Rights Holder
Those interested in reproducing part or all of this collection should contact the Hanford History Project at ourhanfordhistory@tricity.wsu.edu, who can provide specific rights information for these items.
Items in the James L. Acord, sculptor Collection
Hoof for Monstrance for a Grey Horse
Color photograph showing the right side of the hood fabricated as a conceptual component for his sculpture Monstrance for a Grey Horse. The hood features stylized forms echoing the horse skull design of the main sculpture. This element is not…
The artist at work on Monstrance for a Grey Horse
Black and white photograph showing sculptor James Acord working on Monstrance for a Grey Horse in his workshop. The artist is bent over a large block of granite, using carving tools to shape what would become the horse skull sculpture. The granite…
Monstrance for a Grey Horse, close-up
A detailed close-up photograph of James Acord's sculpture Monstrance for a Grey Horse. The image highlights the texture and natural patterns of the granite material, emphasizing the form and craftsmanship of the sculpture. The photograph underscores…
Monstrance for a Grey Horse, sketch (technical)
Technical drawing depicting the conceptual design of "Monstrance for a Grey Horse”. The illustration presents a front elevation view of the proposed sculpture with detailed measurements with the iconic stylized horse skull atop a multi-layered…
Monstrance for a Grey Horse, sketch
Conceptual drawing of "Monstrance for a Grey Horse" featuring the MK II cannister design for housing radio active materials. The detailed illustration indicates artistic planning stages
Monstrance for a Grey Horse Stored Outside
This photograph depicts the sculpture "Monstrance for a Grey Horse" situated outdoors beside Acord’s studio. The sculpture is staged among a collection of tumbleweeds and other sculptural or industrial materials.
Atomic Art
This collection of scanned newspaper pages comprises an article from the "Arts/Entertainment" section of The Seattle Times and Seattle Post-Intelligencer, published on Sunday, July 2, 1989. The prominent headline on the first page reads "ATOMIC ART,"…
Uranium Core insert for Monstrance for a Grey Horse
Sketch from 1987 depicting a design for the MKII cannister for use as the uranium core insert in Monstrance for a Grey Horse.
Monstrance for a Grey Horse, sketch
A sketch of Monstrance for a Grey Horse featuring and exploded view of the various components of the pedestal. With the uranium core insert indicated.
Monstrance for a Grey Horse, technical drawing
A technical drawing depicting a conceptual design of Monstrance for a Grey Horse. The drawings indicate the overall structure and design, and white measurement lines with numerical annotations (e.g., "8'-0"", "5'-0"") are present on both sides,…
Monstrance for a Grey Horse, technical drawing
A technical drawing depicting a conceptual design of Monstrance for a Grey Horse. The drawings indicate the overall structure and design, and white measurement lines with numerical annotations (e.g., "8'-0"", "5'-0"") are present on both sides,…
Monstrance for a Grey Horse
A close-up photograph of James L. Acord's sculpture, "Monstrance for a Grey Horse." The sculpture features the carved skull of a horse, crafted from granite, resting atop a large rectangular pedestal. The work combines natural forms with monumental…
Leaching of Uranium from Glass and Ceramic Foodware and Decorative Items
An examination of uranium leaching from glass and ceramic items, testing 35 uranium-containing samples including glassware and Fiestaware when exposed to acidic solutions. The study documents uranium content and leaching characteristics through…
The Use of Uranium in Ceramic Tableware
This U.S. Nuclear Regulatory Commission document from August 1978 examines uranium use in ceramic tableware, tracing its application in glassware manufacturing through the development of various uranium-containing formulations for consumer products.…
What You Should Know About Fiesta Ware
This article provides information for Fiesta Ware owners regarding the use of these ceramic pieces, recommending they be used for display rather than dining due to safety considerations. The piece examines the history of uranium-glazed tableware from…
CIVILIZATION, a 911 show in 4 parts
This project was designed as an evolving installation and event that explores the creation of art, its societal influence, and the reciprocal effects on the artist and the artwork itself.
Key to the installation were two sculptures then in progress:…
Key to the installation were two sculptures then in progress:…
CHRONICALS - Nuclear Material into Art
A compilation of documents related to sculptor James L. Acord's nuclear materials into art projects. It details his extensive efforts to acquire depleted uranium breeder-blanket assemblies from Siemens AG and secure the necessary radioactive…
The American Nuclear Society Special Award fo Nuclear Public Communication
An award presented to Jim Acord on June 21, 1994
Radioactive Material License WN-I0407-1
Jim Acord's radioactive material license documents dated September 4, 1992 and May 5, 1993
Monstrance for a Grey Horse
A close-up photograph of James L. Acord's sculpture, "Monstrance for a Grey Horse." The sculpture features the carved skull of a horse, crafted from granite, resting atop a large rectangular pedestal. The work combines natural forms with monumental…
Bronze Fossil Man
A photograph of James L. Acord's "Bronze Fossil Man" sculpture. The artwork depicts a human-like form, appearing skeletal or fossilized, rendered in bronze. The sculpture's design incorporates elements suggestive of ancient remains.