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P-1274]]> and construction of the 181-D River Pump House.

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P-1315]]> Pasco (Wash.)
Richland (Wash.)
Kennewick (Wash.)
Yakima (Wash.)
Discrimination
Segregation
School integration
Nuclear weapons industry
Civil rights
Civil rights movements
Migration]]>
View on YouTube]]> Modeling Validation;
Monitoring Data;
Regulatory Framework;
Environmental Analyses;
Incident Reports;
Incident Response;
Health and Safety;
Public Health;
Dade Moeller;
Early Hanford;
Manhattan Project, Scientific Discovery;
Richland, WA, Tri-Cities;
Hanford Publications, Nuclear Power;
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The size of the collection is 10 containers taking up 5.5 linear feet of shelf space. ]]> Hanford Site;
Nuclear reactors;
Manhattan Project;
Tri-Party Agreement;
Historic Preservation]]>
The Collection is 36 contains taking up 20 linear feet of shelf space. ]]> https://b-reactor.org/]]> Alexia Estrada discusses growing up in the Tri-Cities, experiences in a diverse community, her involvement in community organizations and her passion for social justice.
Her work on various community initiatives, including vaccination campaigns and voter engagement.
The influence of her family, particularly her grandparents, on her life and values.
Her aspirations for the future of the Tri-Cities community, including increased mental health awareness and community engagement.]]> here]]>
View the interview on YouTube]]> ]]> ]]> Key to the installation were two sculptures then in progress: "Monstrance for a Grey Horse," described as a multi-ton granite carving intended to contain nuclear waste, and "Home Reactor," a piece fashioned from ceramic, glass, and water. These sculptures were to augment the new avenues for artistic development they fostered. A significant emphasis was placed on collaboration with a variety of artists, disciplines, and technologies.
The proposed Belltown Coliseum site was to be delineated into a "nuclear-free zone" for the audience and a "restricted zone" for exhibits and performances. This restricted area, set back from the viewing space, would house the core installation and performance elements. The two primary sculptures were intended to flank the stage, complemented by "flat-art" on the east and west walls. The south wall, positioned behind the performance stage, was designated for a multi-projector slide show, video monitors, computer-generated images, sound equipment for prepared tapes and live performance, as well as additional radiation monitoring equipment.
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